Film Studies For Free presents un petit hommage -- en images, hypertexte, et vidéos --to one of its favourite filmmakers, Michel Gondry, French maestro of the music-video form, and also responsible, as director, for the audiovisual brilliance of the following films: Human Nature (2001); Eternal Sunshine of the Spotless Mind (2004); La Science des rêves/The Science of Sleep (2006); Be Kind Rewind (2008); and The Green Hornet (2010).
There are some truly wonderful scholarly resources linked to below: merci bien, as ever, to their authors, editors and publishers for making them freely accessible online.
- Dwayne Avery, The Future is behind you: the Reclamation of Place in Be Kind Rewind, Movement 1.1: the futures of cinema, 2009
- Jim Batcho, Overlapping Levels of the Diegesis in Eternal Sunshine of the Spotless Mind, Offscreen Journal, Vol. 11, Nos. 8-9, Aug/Sept 2007
- New Julia Driver, Memory, Desire, and Value in Eternal Sunshine of the Spotless Mind, in Christopher Grau (ed), Philosophers on Film: Eternal Sunshine of the Spotless Mind (Routledge, 2009)
- New Michel Gondry, Foreword, in Christopher Grau (ed), Philosophers on Film: Eternal Sunshine of the Spotless Mind (Routledge, 2009)
- New Christopher Grau, Introduction to Philosophers on Film: Eternal Sunshine of the Spotless Mind (Routledge, 2009)
- New Christopher Grau, Eternal Sunshine of the Spotless Mind and the morality of memory, Journal of Aesthetics and Art Criticism, 64 (1), Winter 2006
- Carolyn Jess-Cooke, Narrative and Mediatized Memory in Eternal Sunshine of the Spotless Mind, Scope, Issue 8, June 2007
- Brandon M. Hancock, Eternal Sunshine of the Spotless Mind, Journal of Religion and Film, Vol. 9, No. 1 April 2005
- Erin Hill-Parks, From Film to Life: The Construction of Identity in Eternal Sunshine of the Spotless Mind and I “Heart” Huckabees, From Camera Lens To Critical Lens A Collection Of Best Essays On Film Adaptation, edited by Rebecca Housel (Cambridge: Cambridge Scholars Press, 2006)
- Charlie Kaufman, Eternal Sunshine of the Spotless Mind - screenplay, 2003
- John Finlay Kerr, ‘Rereading’ Be Kind Rewind (USA 2008): How film history can be remapped through the social memories of popular culture, Screening the Past, Issue 24, 2009
- Mike Lim, Review of Garrett Stewart, Framed Time: Toward a Postfilmic Cinema. Chicago and London: The University of Chicago Press, 2007, Screening the Past, Issue 23, 2008
- Colm OShea, Out of His Head: Metaphysical Escape Attempts in the Screenplays of Charlie Kaufman , Bright Lights Film Journal, Issue 63, February 2009
- Heidi Peeters , The semiotics of music videos: it must be written in the stars, Image [and] Narrative, Issue 8, May 2004
- A Raz, and M Paasivirta, The Science and Fiction of Memory Removal, PsycCRITIQUES, Vol 50(42), 2005
- Richard Rushton, Cinema After Deleuze After 9/11, Postmodern Culture, Volume 19, No. 2, 2009
- Fredericka Shulman, The Objects of Memory: Collecting Eternal Sunshine, Philament, Issue 5, 2005
- Jason Sperb, Be Kind Rewind / or, an incomplete essay on Off-Modern American Cinephilia, Jamais Vu, December 13, 2009
- Gunnar Strøm, The Two Golden Ages of Animated Music Video, Animation Studies, Vol.2, 2007
- Dayton Taylor and Hector Macleod, Digital Air Techniques (2008)
- Scott Thrill, "How My Brain Works": An Interview with Michel Gondry, Bright Lights Film Journal, Issue 53, August 2006
- José van Dijck, Memory Matters in the Digital Age, Configurations, Volume 12, Number 3, Fall 2004
- Thomas E. Wartenberg, Film as Argument, Film Studies, Issue 8, Summer 2006

