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| Image from Film Socialisme (Jean-Luc Godard, 2010). You can read Samuel Bréans SOC essay about this film here. |
It is a timely reminder of just what a valuable publication this online journal is. To which end, SOC launched a Support Senses campaign a little while ago. FSFF thinks that if you regularly visit this journal, if you value what it does, perhaps you might like to consider making a small (or large!) donation, perhaps the cost of a monthly commercial film magazine, as a guideline, for starters.
Senses of Cinema, Issue 60, 2011
- “I have this special issue of Cahiers du cinéma in front of me”: Remembering Claudine Paquot (1951-2011) by Bérénice Reynaud
- Claudine Paquot, My Friend for Thirty Years by Serge Toubiana
- Gualtiero Jacopetti (1919-2011): The Carnivorous Eye by Celluloid Liberation Front
- Either and Or: On Terrence Malick’s Tree of Life by Moritz Pfeifer
- godard english cannes: The Reception of Film Socialisme‘s “Navajo English” Subtitles by Samuel Bréan
- She Works Hard for the Money: Women and Fashion in Weimar Cinema by Alexandria Placido
- Cowboys and Aliens: The Exhaustion of History and the Re-Genesis of Illusions by Joseph Natoli
- Biting Back at the Machine: Charlie Chaplin’s Modern Times by Gregory Stephens
- Kansas: Towards a Rhetoric of the 1980s Farm Debt Crisis and the New Depression Film by Stephen Larson
- “Westalgie” in Leander Haußmann’s Herr Lehmann by Dorothea Otto
- Knife in the Head: German Social Realism Meets Cinema Verit by Robert M. Stowe
- Objects of Memory in Contemporary Catalan Documentaries: Materiality and Mortality by Abigail Loxham
- No Country for Old Men, Visual Regime, Mental Image and Narrative Slowness by Thierry Jutel
- Nelson Pereira dos Santos by Hudson Moura
- La Niña santa by Carlota Larrea
- La Ciénaga by Gwendolyn Audrey Foster
- Losing Your Head – Lucrecia Martel and The Headless Woman by David Melville
- Europa Europa by Pasquale Iannone
- Provincial Actors by Pedro Blas Gonzalez
- Olivier Olivier by Tamara Tracz
- Fever by Michael Da Silva
- Être et avoir: The Medium and the Moment by Shari KizirianRetour en Normandie by Darragh O’Donoghue
- In the Land of the Deaf by Martyn Bamber
- “The Raw and the Cooked”: The Peculiar Poetics of Nicolas Philibert’s Un animal, des animaux by Adrian Danks
- Nénette by Louise Sheedy
- Acto de Primavera and the Uncompromising Vision of Manoel de Oliveira by Wheeler Winston Dixon
- Karl May by Peter Hourigan
- The Filmmaker as Adaptor: Fred Schepisi Takes on Patrick White in The Eye of the Storm by Brian McFarlane
- Shooting Dialogue as Action: An Interview with Fred Schepisi by Fincina Hopgood
- Schepisi’s Celluloid Australia by Daniel Eisenberg
- Across the Borderline by Adrian Danks
- It Runs in the Family: Sons, Sins and Structural Complexity in Fred Schepisi’s Six Degrees of Separation by Rose Capp
- People Make Papers by Anna Daly
- ReViewing Jimmie: The Critical Reception of The Chant of Jimmie Blacksmith by Glen Donnar
- Minding Movies: Observations on the Art, Craft, and Business of Filmmaking by David Bordwell and Kristin Thompson by Tony McKibbin
- Jacques Rivette by Douglas Morrey and Alison Smith by Daniel Fairfax
- Baz Luhrmann by Pam Cook by Ben Goldsmith
- Encyclopedia of Early Cinema edited by Richard Abel by Michael Walsh
- Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre by Dennis Bingham by Frank P. Tomasulo
- Widescreen Worldwide edited by John Belton, Sheldon Hall and Steve Neale by Simon Howson
- Korean Independent Films (and Youth) in Jeonju: The 12th Jeonju International Film Festival by Nikki J. Y. Lee
- Eclectic and Open to the World: The 9th Annual Paris Cinema Festival by Kath Dooley
- Hawksian Girls Meet Weimar Cinema at 25th Cinema Ritrovato by Federico Passi
- A Soul Nourishing Pilgrimage: The 35th Frameline San Francisco International LGBT Film Festival by Stuart Richards
- I was a Captive Audience at the 57th Flaherty Seminar by Sergey Levchin
- The Tree of Cinema: The 46th Karlovy Vary International Film Festival by Bill Mousoulis
- Naked Ambition: The 14th Shanghai International Film Festival 2011 by Brandon Wee
- Generational Syncretisation and MIFF’s Diamond Jubilee: The 60th Melbourne International Film Festival by Alice G. Burgin
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